Film and Content Intern
North Strathfield - Australia
Job Summary
St. Trinity Group: Film and Content Internship Program
Were building the future of wedding storytelling and we want your most promising film students in the room.
The Opportunity
St. Trinity Group is a global destination wedding brand scaling into cinematic content production. Were moving beyond traditional social media clips into a full omnichannel cinematic pipeline starting on YouTube expanding across every platform and building toward a long-term goal of premium episodic content. Think docuseries energy applied to real weddings real couples and real love stories shot and cut like something people actually want to sit down and watch.
Where Were Heading
Were developing toward a luxury content series think proper artistic direction recurring characters real plotlines short films built for the feed. This isnt just wedding footage its narrative content with a cinematic identity aimed at growing into a full television style series over time.
What Interns Will Actually Do
Get hands-on production experience filming real content inside a working studio and office environment constantly not just on occasional shoot days
Develop and pitch original scripts and series concepts then see them move into actual production
Work across cinematic shoot days interviews and narrative-style content not just quick turnaround social clips
Learn an end-to-end pipeline from concept and script to shoot to edit to release
Build a real portfolio of produced published work across a major global brands channels
Who Were Looking For
Film media or production students who think in shots story and pacing
People who want to build not just observe someone wholl bring ideas and push to get them made
Anyone hungry to work on something ambitious early before its a finished thing
Why It Matters
This isnt just an internship. Its a chance to help build a production pipeline from the ground up with real creative ownership at a brand actively scaling its cinematic ambitions.
Production Elements Students Should Be Comfortable With
Confident camera operation and filming technique understanding how to move on set and capture usable footage efficiently
General set production knowledge understanding how a shoot day actually runs and whats needed to support it
Equipment knowledge comfortable working with cameras lenses lighting rigs audio gear and general on set kit
Shot composition and framing working beyond standard coverage into intentional cinematic angles
Lighting setups for both interview and narrative style scenes
Color grading and establishing a consistent visual tone across a series
Sound design and music selection that supports pacing and emotion not just background noise
Storyboarding and shot listing ahead of a shoot day
Editing for narrative flow not just fast cuts understanding when to let a moment breathe
Directing talent and subjects on camera including real couples and interview subjects who arent professional performers
Look and Feel References
Cinematic Trends
Reels
Films in Feed
Led Cinematic Content
Down Podcasts That Stop the Scroll
Real Estate Series Cinematic Treatment